Ashbel

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"𝘈𝘣𝘴𝘰𝘭𝘶𝘵𝘦 𝘛𝘦𝘳𝘳𝘰𝘳 𝘥𝘰𝘰𝘮 𝘯𝘰𝘪𝘴𝘦 𝘤𝘩𝘢𝘰𝘴 𝘷𝘪𝘰𝘭𝘦𝘯𝘤𝘦"
"𝘚𝘶𝘱𝘦𝘳 𝘵𝘢𝘭𝘦𝘯𝘵𝘦𝘥 𝘱𝘦𝘰𝘱𝘭𝘦 𝘮𝘢𝘬𝘪𝘯𝘨 𝘮𝘶𝘴𝘪𝘤 𝘵𝘩𝘢𝘵'𝘴 𝘯𝘰𝘵 𝘢𝘧𝘳𝘢𝘪𝘥 𝘵𝘰 𝘣𝘦 𝘦𝘹𝘤𝘪𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘵𝘰 𝘸𝘩𝘢𝘵 𝘩𝘢𝘴 𝘤𝘰𝘮𝘦 𝘣𝘦𝘧𝘰𝘳𝘦!"
"𝘚𝘰 𝘧𝘶𝘤𝘬𝘪𝘯𝘨 𝘩𝘦𝘢𝘷𝘺 𝘪𝘵'𝘴 𝘧𝘶𝘤𝘬𝘦𝘥"
"𝘕𝘰𝘵 𝘩𝘦𝘢𝘷𝘺 𝘦𝘯𝘰𝘶𝘨𝘩!!!"
"𝘚𝘰𝘶𝘯𝘥𝘴 𝘭𝘪𝘬𝘦 𝘴𝘰 𝘮𝘢𝘯𝘺 𝘵𝘩𝘪𝘯𝘨𝘴 𝘐 𝘭𝘰𝘷𝘦 𝘣𝘶𝘵 𝘢𝘭𝘴𝘰 𝘴𝘵𝘪𝘭𝘭 𝘴𝘰 𝘶𝘯𝘪𝘲𝘶𝘦 𝘪𝘯 𝘪𝘵𝘴 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩 𝘢𝘯𝘥 𝘪𝘵𝘴 𝘭𝘢𝘺𝘦𝘳𝘪𝘯𝘨 𝘰𝘧 𝘵𝘩𝘰𝘴𝘦 𝘪𝘯𝘧𝘭𝘶𝘦𝘯𝘤𝘦𝘴 𝘪𝘯𝘵𝘰 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘯𝘦𝘸. 𝘈𝘯𝘺 𝘢𝘭𝘣𝘶𝘮 𝘵𝘩𝘢𝘵 𝘱𝘳𝘰𝘷𝘪𝘥𝘦𝘴 𝘮𝘦 𝘸𝘪𝘵𝘩 𝘦𝘮𝘰𝘵𝘪𝘰𝘯𝘢𝘭 𝘤𝘢𝘵𝘩𝘢𝘳𝘴𝘪𝘴 𝘪𝘴 𝘨𝘰𝘪𝘯𝘨 𝘵𝘰 𝘳𝘢𝘯𝘬 𝘩𝘪𝘨𝘩 𝘧𝘰𝘳 𝘮𝘦 𝘢𝘯𝘥 𝘵𝘩𝘪𝘴 𝘤𝘦𝘳𝘵𝘢𝘪𝘯𝘭𝘺 𝘥𝘰𝘦𝘴 𝘵𝘩𝘢𝘵."
"𝘛𝘩𝘦𝘳𝘦 𝘪𝘴 𝘢𝘭𝘴𝘰 𝘢 𝘱𝘰𝘸𝘦𝘳𝘧𝘶𝘭 𝘲𝘶𝘦𝘦𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘵𝘩𝘦𝘳𝘦, 𝘰𝘧𝘵𝘦𝘯 𝘧𝘰𝘶𝘯𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘤𝘢𝘳𝘦𝘧𝘳𝘦𝘦 𝘥𝘪𝘴𝘴𝘰𝘯𝘢𝘯𝘤𝘦 𝘵𝘩𝘢𝘵 𝘢𝘱𝘱𝘦𝘢𝘳𝘴 𝘵𝘰 𝘥𝘳𝘢𝘸 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘪𝘭𝘧𝘶𝘭𝘭𝘺 𝘴𝘵𝘳𝘢𝘯𝘨𝘦 𝘋𝘚𝘉𝘔 𝘣𝘢𝘯𝘥𝘴 𝘵𝘩𝘢𝘵 𝘳𝘦𝘷𝘦𝘭 𝘮𝘰𝘳𝘦 𝘴𝘰 𝘪𝘯 𝘱𝘢𝘪𝘯 𝘵𝘩𝘢𝘯 𝘩𝘦𝘢𝘷𝘪𝘯𝘦𝘴𝘴. 𝘉𝘭𝘢𝘤𝘬 𝘮𝘦𝘵𝘢𝘭 𝘪𝘴 𝘰𝘷𝘦𝘳𝘱𝘰𝘸𝘦𝘳𝘪𝘯𝘨 𝘮𝘶𝘴𝘪𝘤 𝘧𝘰𝘳 𝘴𝘮𝘢𝘭𝘭 𝘴𝘱𝘢𝘤𝘦𝘴. 𝘛𝘩𝘪𝘴 𝘱𝘢𝘳𝘵 𝘪𝘴 𝘱𝘳𝘰𝘣𝘢𝘣𝘭𝘺 𝘸𝘩𝘦𝘳𝘦 𝘮𝘺 𝘪𝘯𝘥𝘪𝘨𝘯𝘢𝘯𝘵 𝘰𝘣𝘴𝘦𝘴𝘴𝘪𝘰𝘯 𝘸𝘪𝘵𝘩 𝘥𝘦𝘴𝘤𝘳𝘪𝘣𝘪𝘯𝘨 𝘈𝘴𝘩𝘣𝘦𝘭 𝘵𝘩𝘶𝘴𝘭𝘺 𝘧𝘢𝘭𝘭𝘴 𝘰𝘷𝘦𝘳, 𝘢𝘴 𝘵𝘩𝘦 𝘸𝘢𝘺 𝘵𝘩𝘦𝘺 𝘦𝘹𝘱𝘢𝘯𝘥 𝘢𝘯𝘥 𝘧𝘪𝘭𝘭 𝘸𝘩𝘢𝘵𝘦𝘷𝘦𝘳 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘢𝘯𝘤𝘦 𝘴𝘱𝘢𝘤𝘦 𝘵𝘩𝘦𝘺'𝘳𝘦 𝘪𝘯 𝘴𝘩𝘰𝘸𝘴 𝘢 𝘯𝘦𝘦𝘥 𝘵𝘰 𝘴𝘩𝘰𝘸 𝘵𝘩𝘦 𝘱𝘩𝘺𝘴𝘪𝘤𝘢𝘭𝘪𝘵𝘺 𝘰𝘧 𝘵𝘩𝘦𝘪𝘳 𝘴𝘰𝘶𝘯𝘥..."
"𝘊𝘢𝘯 𝘺𝘰𝘶 𝘱𝘭𝘦𝘢𝘴𝘦 𝘧𝘶𝘤𝘬 𝘰𝘧𝘧 𝘢𝘯𝘥 𝘧𝘪𝘯𝘥 𝘺𝘰𝘶𝘳 𝘰𝘸𝘯 𝘴𝘱𝘰𝘵! 𝘐𝘵'𝘴 𝘢 𝘣𝘪𝘨 𝘤𝘪𝘵𝘺"
"𝘍𝘪𝘯𝘢𝘭𝘭𝘺 𝘴𝘵𝘰𝘱𝘱𝘦𝘥 𝘣𝘦𝘪𝘯𝘨 𝘧𝘬𝘯 𝘤𝘰𝘮𝘦𝘥𝘪𝘢𝘯𝘴 𝘢𝘯𝘥 𝘱𝘭𝘢𝘺𝘦𝘥 𝘴𝘰𝘮𝘦 𝘕𝘖𝘐𝘚𝘌 𝘧𝘬𝘯 𝘢𝘭𝘭 𝘩𝘦𝘳𝘦 𝘧𝘰𝘳 𝘪𝘵𝘵𝘵𝘵"
"𝘛𝘩𝘦 𝘸𝘢𝘺 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 -𝘧𝘦𝘦𝘭𝘴-, 𝘵𝘩𝘦 𝘴𝘰𝘯𝘪𝘤 𝘫𝘰𝘶𝘳𝘯𝘦𝘺, 𝘪𝘴 𝘪𝘯𝘵𝘦𝘯𝘴𝘦𝘭𝘺 𝘤𝘭𝘢𝘶𝘴𝘵𝘳𝘰𝘱𝘩𝘰𝘣𝘪𝘤 𝘢𝘯𝘥 𝘥𝘦𝘭𝘪𝘷𝘦𝘳𝘴 𝘢 𝘥𝘦𝘦𝘱 𝘴𝘦𝘯𝘴𝘦 𝘰𝘧 𝘭𝘪𝘣𝘦𝘳𝘢𝘵𝘪𝘰𝘯 𝘸𝘩𝘦𝘯 𝘢𝘭𝘭 𝘵𝘩𝘦 𝘨𝘳𝘪𝘦𝘧 𝘪𝘴 𝘧𝘪𝘯𝘢𝘭𝘭𝘺 𝘦𝘹𝘱𝘦𝘭𝘭𝘦𝘥 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘣𝘰𝘥𝘺. 𝘛𝘩𝘦 𝘴𝘤𝘳𝘦𝘢𝘮𝘪𝘯𝘨 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘴 𝘈𝘴𝘩𝘣𝘦𝘭'𝘴 𝘱𝘢𝘳𝘢𝘥𝘰𝘹: 𝘢𝘴 𝘮𝘶𝘤𝘩 𝘢𝘴 𝘵𝘩𝘦𝘺 𝘤𝘢𝘯 𝘣𝘦 𝘪𝘯𝘵𝘦𝘳𝘱𝘳𝘦𝘵𝘦𝘥 𝘢𝘴 𝘤𝘳𝘪𝘦𝘴 𝘧𝘰𝘳 𝘩𝘦𝘭𝘱, 𝘵𝘩𝘦𝘺 𝘤𝘢𝘯 𝘢𝘭𝘴𝘰 𝘣𝘦 𝘴𝘦𝘦𝘯 𝘢𝘴 𝘵𝘦𝘢𝘳𝘪𝘯𝘨 𝘢𝘱𝘢𝘳𝘵 𝘵𝘩𝘦 𝘣𝘪𝘥𝘪𝘯𝘨 𝘴𝘩𝘢𝘤𝘬𝘭𝘦𝘴 𝘸𝘪𝘵𝘩 𝘺𝘰𝘶𝘳 𝘣𝘢𝘳𝘦 𝘩𝘢𝘯𝘥𝘴..."
"...𝘐 𝘵𝘩𝘪𝘯𝘬 𝘈𝘴𝘩𝘣𝘦𝘭 𝘮𝘢𝘺 𝘩𝘢𝘷𝘦 𝘫𝘶𝘴𝘵 𝘢𝘤𝘤𝘪𝘥𝘦𝘯𝘵𝘢𝘭𝘭𝘺 𝘪𝘯𝘷𝘦𝘯𝘵𝘦𝘥 𝘢 𝘯𝘦𝘸 𝘨𝘦𝘯𝘳𝘦 𝘰𝘧 𝘮𝘦𝘵𝘢𝘭, 𝘸𝘩𝘪𝘤𝘩 𝘐 𝘸𝘪𝘭𝘭 𝘥𝘶𝘣 𝘍𝘳𝘦𝘦 𝘔𝘦𝘵𝘢𝘭..."
"𝘈 𝘩𝘪𝘨𝘩𝘭𝘺 𝘵𝘩𝘰𝘶𝘨𝘩𝘵-𝘰𝘶𝘵 𝘢𝘯𝘥 𝘤𝘰𝘮𝘱𝘦𝘵𝘦𝘯𝘵𝘭𝘺 𝘥𝘦𝘭𝘪𝘷𝘦𝘳𝘦𝘥 𝘣𝘭𝘦𝘯𝘥 𝘰𝘧 𝘢 𝘳𝘢𝘯𝘨𝘦 𝘰𝘧 𝘴𝘰𝘶𝘯𝘥𝘴 𝘪𝘴 𝘱𝘳𝘦𝘴𝘦𝘯𝘵 𝘩𝘦𝘳𝘦, 𝘵𝘩𝘦 𝘴𝘶𝘮 𝘰𝘧 𝘸𝘩𝘪𝘤𝘩 𝘪𝘴 𝘢 𝘸𝘦𝘭𝘭-𝘤𝘳𝘢𝘧𝘵𝘦𝘥 𝘢𝘮𝘢𝘭𝘨𝘢𝘮𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘮𝘪𝘴𝘦𝘳𝘺 𝘢𝘯𝘥 𝘥𝘪𝘴𝘵𝘳𝘦𝘴𝘴. 𝘚𝘭𝘶𝘥𝘨𝘦𝘺 𝘢𝘯𝘨𝘦𝘳 𝘴𝘶𝘳𝘳𝘰𝘶𝘯𝘥𝘦𝘥 𝘣𝘺 𝘯𝘰𝘪𝘴𝘦-𝘳𝘪𝘥𝘥𝘦𝘯 𝘧𝘪𝘭𝘵𝘩 𝘴𝘶𝘳𝘳𝘰𝘶𝘯𝘥𝘦𝘥 𝘣𝘺 𝘢 𝘴𝘩𝘢𝘥𝘰𝘸 𝘰𝘧 𝘪𝘳𝘦 𝘳𝘶𝘮𝘪𝘯𝘢𝘵𝘪𝘰𝘯𝘴. 𝘋𝘰𝘯'𝘵 𝘭𝘪𝘴𝘵𝘦𝘯 𝘢𝘵 𝘯𝘪𝘨𝘩𝘵."
–̲–̲–̲–̲–̲–̲
if i have to put a 'theme' down to anything i would say we're the anti to black metal. they're all nature and shit. we're all about the mundane pleasure, ecstasy, overindulgence, festivity, theatrics and the madness that comes afterward. kind of like the nature cycle of decay i've often talked to you about before but in an urban madness setting.

realized on january 18, 2019
𝗰𝗼𝗻𝘁𝗮𝗸𝘁: [email protected]
–̲–̲–̲–̲–̲–̲
THE BAND WAS BORN OUT OF A SHARED IDEA THAT NOISE AND MUSIC SHOULD NOT ONLY COMPLEMENT EACH OTHER BUT TO USE NOISE AS ANOTHER INSTRUMENT ITSELF. THEY TAKE INSPIRATION FROM HEAVY MUSIC, HARSH NOISE AND INDUSTRIAL SOUNDS; DISPARATE INFLUENCES RANGE FROM BLACK METAL, JAPANESE HARDCORE AND GRINDCORE ACTS LIKE ENDON, SWARRRRM, STUBBORN FATHER, TO JAZZ AVANT-GARDE GREATS MARC RIBOT, PATTY WATERS, DIAMANDA GALAS, AND TEMPO-SHIFTS WHICH INVOKE A CODEINE-ESQUE MELANCHOLIC ATMOSPHERE.