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Artwork by
Adam Burke

Garden of Embers

from Incendiary Sanctum

May 2nd, 2025
4 tracks
64:07
Incendiary Sanctum
Incendiary Sanctum
Garden of Embers
0:00
18:55
Garden of Embers
A Flock Named Murder
Twisted and decrepit, we struggle through the fields Dawn an ocean in our footsteps, we chase away the light A clangor of bells herds us in droves toward the gallery To disperse with weary hands this landscape of bone Our turmoil scorches out the seasons in a militant burn The feral dawn stoked high and wild in the hell we made Those of us who remain yearn for a sense of home In this forlorn abatement, silhouettes call my name Burden grips within; the jaws that cripple serenity Encased in a house of glass, I am depleted by the sun I feel safe in my prison, arms open in rejoice Fingers of light grazing luminous walls, embers settle in my blood The wind dances across these lonely leaves like a flock of nervous birds Heavy limbs carry the hangman, eyes wide and daunting in his sorrow The skyline is beautifully on fire, and we marvel at its gruesome, twisting light Reaching out into the firmament, as if to stop the stars from falling As a figure of shadow, I pass through the wake of life and death Dressing wounds weathered by years of affliction The beacon of my viscera incinerates the truth of all form A heaviest of hearts, and a fading radiance bleeds into the night
14:40

Worship is ever beyond the divine. Worship takes hold in ideals, and in idolatry. We worship progress. We worship the myth of a venerable past. We worship power. It is insidious when that which is revered becomes incapable of wrongdoing. Everything is justified in the eyes of worship and that rotten seed can lead to the worst of human atrocities.

"Incendiary Sanctum" is a eulogy burning away the very idea of worship. It is a longing for an insurmountable world beyond flesh. It is a rumination on humanity and those we've lost, and all those who came and went before we were ever here and are gone without a trace. The passing in and out of time, with many of us left behind or unceremoniously taken away. It is our strength in holding onto that memory, which is all there is and someday will be gone too. It's the inner sanctum of the self as a pyre, and the infinite silence of God.

A Flock Named Murder crafts an expansive and immersive sound—merging elements of black metal, post-metal, doom, and death metal into a seamless whole.

FFO: Agalloch, Cult Of Luna, The Ruins Of Beverast, Immolation

Credits

A Flock Named Murder is:
Ryan Mueller - Guitars, Voice
Mike Wandy - Bass, Voice
Cam Mueller - Drums, Lyrics

Guest Appearances:
Additional vocals in 'Pierced Flesh Catharsis' by Luke Farndon (Drofnosura)
Piano in 'Pierced Flesh Catharsis' by Rob McAllister (Centuries Of Decay)
Roland Rodas (Cavern Of Echoes Studio - Toronto, ON) - Drum Recording, Engineering, Mastering
Matt Hems (Seventh Level Sound - Toronto, ON) - Drum Recording, Vocal Recording, 12-string acoustic guitar recording
Greg Dawson (BWC Studios - Kingston, ON) - Electric and Bass guitar recording, Mixing

"The Eulogy Fields" & "To Drown In Obsidian Tides" field recordings captured at Yosemite National Park - California and The Cathedral Church of St. James - Toronto, Ontario by RM & CM respectively

All other samples rendered by Greg Dawson
Cover painting by Adam Burke/Nightjar Illustration