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Buzzard - Doom Folk - 03 Witch's Revenge

from Doom Folk

March 18th, 2024
12 tracks
44:00
Doom Folk
Doom Folk
Buzzard - Doom Folk - 03 Witch's Revenge
0:00
3:02
Buzzard - Doom Folk - 03 Witch's Revenge
Buzzard (Doom Folk Metal)
Witch’s Revenge Once upon a wicked time in Salem A witch escapes, hellbent on mayhem. A warrior for her sex, Antinomy casts her hex. For centuries she conjures familiars, Mistresses, maniacs, and mothers To put the male in his place As the vile member of the race. There comes an end high To the rule of men. There comes a time for Antinomy to begin. Her coven terminates Y chromosomes. Surviving males toil in nursing homes, Their seed frozen in jars. Free at last, the witches fly among the stars. There comes an end To the rule of men. There comes a time for Antinomy to begin. Antinomy says, “It’s the end of men So let’s begin The witch’s revenge.” There comes an end To the rule of men. There comes a time for Antinomy to begin. Antinomy says, “It’s the end of men So let’s begin The witch’s revenge.”
4:12

What if Dylan listened to Sabbath and read Lovecraft? Buzzard combines the heavy riffs of Doom, ironic storytelling of Folk, and dark themes of Weird Fiction, Horror, SF, and social satire.

Doom Folk is populated by misanthropic witches, stoner cockroaches, and dog-devouring aliens. Songs explore the evils of religion and the madness of mankind with pitch-black wit.

Christopher Thomas Elliott wrote, performed, and produced Doom Folk in his basement studio using electric and acoustic guitar, bass, hand drum, 6-string banjo, and rhymes scribbled on scraps of paper.

The songs draw on the pessimistic philosophy of Thomas Ligotti, the revenge yarns of Tales from the Crypt, the metal of Electric Wizard and Candlemass, the irony of Bill Hicks and George Carlin, the narrative poetry of Greenwich Village troubadours, and the Satanic gospel blues of Zeal & Ardor.

Credits

Written, performed, and produced by Christopher Thomas Elliott