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Buzzard - Doom Folk - 04 Lord of Darkness

from Doom Folk

March 18th, 2024
12 tracks
44:00
Doom Folk
Doom Folk
Buzzard - Doom Folk - 04 Lord of Darkness
0:00
3:02
Buzzard - Doom Folk - 04 Lord of Darkness
Buzzard (Doom Folk Metal)
Lord of Darkness May the Lord of Darkness be my witness As I swear to assassinate the tyrants. I pledge allegiance to the grave Of the master to avenge the slave. May the Lord of Darkness be my teacher As I learn to scorn the holy scripture, Where the lies of men unfold In the testaments both new and old. May all believers betray their leaders. May all the faithful collapse with doubt. May every devil make angels tremble. May every nun have fun when she goes south. May the Lord of Darkness be my beacon Leading me away from the nation, Making me a derelict Blasphemer, wolf, and heretic. May the Lord of darkness be my lover Whose love for nothingness lasts forever, Until creation’s been destroyed And all that’s left is nothing, null and void. May every mass be black as pitch. May every needle prick the arm. May every genius succumb to madness. May every infidel escape from harm. May the sacred wake up hungover naked In the beds of seven whores. May the mighty fall down heavy Corrupted and pathetic on the floor. May every lord be the Lord of Darkness.
3:39

What if Dylan listened to Sabbath and read Lovecraft? Buzzard combines the heavy riffs of Doom, ironic storytelling of Folk, and dark themes of Weird Fiction, Horror, SF, and social satire.

Doom Folk is populated by misanthropic witches, stoner cockroaches, and dog-devouring aliens. Songs explore the evils of religion and the madness of mankind with pitch-black wit.

Christopher Thomas Elliott wrote, performed, and produced Doom Folk in his basement studio using electric and acoustic guitar, bass, hand drum, 6-string banjo, and rhymes scribbled on scraps of paper.

The songs draw on the pessimistic philosophy of Thomas Ligotti, the revenge yarns of Tales from the Crypt, the metal of Electric Wizard and Candlemass, the irony of Bill Hicks and George Carlin, the narrative poetry of Greenwich Village troubadours, and the Satanic gospel blues of Zeal & Ardor.

Credits

Written, performed, and produced by Christopher Thomas Elliott