Artwork image

C.S.M. (Célula Situacionista Madrileña) ft. ScummV

from DANCEFLOORREACTION

May 15th, 2026
10 tracks
36:09
DANCEFLOORREACTION
DANCEFLOORREACTION
C.S.M. (Célula Situacionista Madrileña) ft. ScummV
0:00
2:32
C.S.M. (Célula Situacionista Madrileña) ft. ScummV
SARCOMA
Allá donde se gestan los suicidios, palomas muertas cimientan los suelos. Aguanto con un nudo en la garganta en este metro a mi funeral. La marquesina marca 700, y ya no venden pan en el centro. Me pregunto a qué sonaría una canción de Sabina en el año 3000. Pongamos que hablo de pongamos que hablo de Madrid. Ahora que mis amigas escapan con setas y barbitúricos de una vida que apesta (de una vida como esta). Las niñas nunca quieren liberarse, sino ser liberadas por los niños... ¡Págame la terapia, mi amor! ¡O por lo menos esos tapones tan caros que romantizan esta vida tan precaria! Y alguien va presumiendo discreción ¡Flojos de pantalón! ¡Líderes del diseño! novedad... ¡Y lucha de gigantes! convierte el aire en gas natural. Pongamos que hablo de VOLAR el metro de Madrid. De Madrid. De Madrid.
3:17

SARCOMA’s third studio album, DANCEFLOORREACTION, seethes with surgically precise reflections on love, power, and the conditions that shape both. Following the already iconic and borderline irony of NOT CROSSES (2024) and KAAMOS (2025), Luna pushes further into a uniquely extractive understanding of the cost of loving and being loved, informed by what Monique Wittig called "The Straight Mind” Love here is not a clean kill or a quick death. It is slow, brutal horror that leaves you suspended in bloody aftermath, soaked in selfish desire and gendered expectations.

DANCEFLOORREACTION is SARCOMA’s most refined work to date. The album operates as more than a collection of poems and tracks. It functions as a weapon aimed at counterrevolutionary and reactionary music scenes, creating fertile ground for a social revolution with its roots in gender emancipation.

The dancefloor can no longer remain a site of escape. It should become one of confrontation, where pleasure and violence, identity and expression, are dialectically intertwined. A place where everybody is bound to the struggle of the native queer bodies that inhabit it.

Credits

MIXED BY GUILLERMO ROJO. MASTERED BY RUBEN MONTESCO. COVER PICTURE BY ISABEL HOFFMAN. EDITED BY ODIZA. THIS WORK WAS DEVELOPED WITH THE SUPPORT AND COLLABORATION OF MY FRIENDS OAN, ISABEL HOFFMAN, ODIZA, IÑAKI, XEHNSUCHT, BOGDAN C AND LIZA PLANTS.

RELEASED VIA SHE/HER RECORDS. EDITED BY 「lotura」. CO-EDITED BY INTERRUPTOR, SHE/HER RECORDS, DONATIONS PROJECT, MÚSICA DISPERSA, SOLUS MAGNUS, NEGRO SATURNO, PLUG IN THE GEAR, AND ECM CAN BATLLÓ.