Artwork image

The Poetry of Slaves

from DANCEFLOORREACTION

May 15th, 2026
10 tracks
36:09
DANCEFLOORREACTION
DANCEFLOORREACTION
The Poetry of Slaves
0:00
2:32
The Poetry of Slaves
SARCOMA
(Mi mierda es confusa porque no sabes si bailarla o llorarla. No sabes si apiadarte de mí o aplaudir mi locura. Ni siquiera sabes si lo que escribo tiene un sentido. Hasta que lo sabes) Destroy their roles In every act you make Dethrone assimilation The Poetry of Slaves Go back to the future Kalashnikov in hand Erase their legacy No history no past We're slaves for the poetry The Poetry of Slaves The Poetry of Slaves We're slaves for the poetry The Poetry of Slaves The Poetry of Slaves Destroy their roles Dethrone assimilation Erase their legacy Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in handKalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in handKalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand Kalashnikov in hand We're slaves for the poetry The Poetry of Slaves We're slaves for the poetry The Poetry of Slaves The Poetry of Slaves We're slaves for the poetry The Poetry of Slaves We're slaves for the poetry The Poetry of Slaves The Poetry of Slaves We're slaves for the poetry The Poetry of Slaves The Poetry of Slaves We're slaves for the poetry The Poetry of Slaves The Poetry of SlaveSBFFFRRUUAUAUUWDAWVYDAWHDCBAWJ DGWAUDGADHKAWDAWKFHGHkJHGEFOPSEZDWAGDUWADI V<WAVHDCOWAHDESNFJKESZFIHESIOFHOIACKSEHIFHESHV UZESKFV JWCVY<AIUDGWOAYDV LIQWADOBWHVQ8AEVYIÑ WAHFDWAFWHIUAWFWAFWAFWAFWAFWAFWAFLAWIHCV8O BESURITqfduwaiyr098w3brGIUGFOISEBFUKWGAIUFBLKWANF UIWAGFUBWALIFOAOHFAWVEÑ81yoveboñ9vegIQLIEVIWAVDY O8A<WHFKDohkfheuksfOHSVEJNSZVKHEOhfOEHSIOFHESHFO IFUWAEDIEFESLFJIOESHFOIHSEFUHSEFIHWZBSOIFHW3OFH ÑOAW<DFWFO<UEHLFIYQpabfiulwayrti<qavcukewyfp9o<bwuri72 qp<bciuYOBOIHGEKSUFBILESZUFL<EG8FWH<FSKFJEIKHSDW PRU309RY<DIWUA<DLIAWFOUWZLSFBAWYILFGESKF,J<BAKL UFWYAÑO3WHRLIYQWTFIUWBRFKÑ<RQGFO87AIHIWEGFOW abFO83y<p9gdfcvk<awf8igcba<icb8oer09PoñHWOÑIAFHP9QHB. LFVBESOÑ8GFOISBF VFYAWGFILAEB<R ́90F<BLWRF...
3:58

SARCOMA’s third studio album, DANCEFLOORREACTION, seethes with surgically precise reflections on love, power, and the conditions that shape both. Following the already iconic and borderline irony of NOT CROSSES (2024) and KAAMOS (2025), Luna pushes further into a uniquely extractive understanding of the cost of loving and being loved, informed by what Monique Wittig called "The Straight Mind” Love here is not a clean kill or a quick death. It is slow, brutal horror that leaves you suspended in bloody aftermath, soaked in selfish desire and gendered expectations.

DANCEFLOORREACTION is SARCOMA’s most refined work to date. The album operates as more than a collection of poems and tracks. It functions as a weapon aimed at counterrevolutionary and reactionary music scenes, creating fertile ground for a social revolution with its roots in gender emancipation.

The dancefloor can no longer remain a site of escape. It should become one of confrontation, where pleasure and violence, identity and expression, are dialectically intertwined. A place where everybody is bound to the struggle of the native queer bodies that inhabit it.

Credits

MIXED BY GUILLERMO ROJO. MASTERED BY RUBEN MONTESCO. COVER PICTURE BY ISABEL HOFFMAN. EDITED BY ODIZA. THIS WORK WAS DEVELOPED WITH THE SUPPORT AND COLLABORATION OF MY FRIENDS OAN, ISABEL HOFFMAN, ODIZA, IÑAKI, XEHNSUCHT, BOGDAN C AND LIZA PLANTS.

RELEASED VIA SHE/HER RECORDS. EDITED BY 「lotura」. CO-EDITED BY INTERRUPTOR, SHE/HER RECORDS, DONATIONS PROJECT, MÚSICA DISPERSA, SOLUS MAGNUS, NEGRO SATURNO, PLUG IN THE GEAR, AND ECM CAN BATLLÓ.