Tears We Should Have Shed

from Tears We Should Have Shed

April 23rd, 2021

9 tracks

25:13

Tears We Should Have Shed

0:00

2:39

Tears We Should Have Shed

Walking Bombs

I don't want to get used to it, the walls closing in. They say it's just part of the business/inevitable, kid. Doo doo doo, that's the problem with claustrophobia. It sneaks up until you just can't reach out. Doo doo doo that's the problem (x3) with claustrophobia. I don't wanna hear that this room is all that I deserve. I'm humble but still I know my damn worth. Doo doo doo that's the problem and no one gives a fuck. Once they all, they get theirs- they pull the ladder up. Doo doo doo that's the problem (x3) with claustrophobia. I don't wanna get used to it, how people start to drift. They say it's just part of time passing, a change in the mix. There are so many tears we, tears we should have shed. It's over, it's too late. Go back to bed.

3:06

The 4th Walking Bombs full length, Tears We Should Have Shed.

Credits

released April 23, 2021

Recorded, Mixed and Mastered by Sean Paul Pillsworth at Nada Recording Studio, Montgomery, NY throughout 2020.

All songs by Walking Bombs. Cover art by Morgan Y. Evans.
Promo photo by Globelamp.

Morgan Y. Evans - Main vocals on all, acoustic guitar on 1, 4. Trombone on 3, 7. Bass on 1, 4. Guitar on 2, 3, 4, 8. Piano on 4, 5, 6, 9.

Elizabeth 'Le Fey' DaPena (Globelamp) - Co-vocals on 2, 4, 9. Piano on 2.

Sean Paul Pillsworth (Nightmares For A Week, Jerk Magnet) - Drums on 1, 4. Bass on 3, 5, 6, 8, 9. Guitar on 1,3, 8, 9. Back up vox on 8.

David Brenner (Gridfailure)- Blackened guitar, harsh noise and drums on 7.

David Bodie (ex-Time Of Orchids, Divest, Kayo Dot) - Drums on 3, 8.

Taraka Larson (Taraka, ex-Prince Rama) - Co-Vocals and Piano on 1.

Jack Manley (The Jenifer Shop) - Guitar on 5, 6. Back up vox on 6.

Justin Zipperle (Shadow Witch) - Drums on 5, 6, 9.

Special thanks to John Naclerio, Nico Minoru and Jah.

license

Press

Brooklyn Vegan Album Stream

04/22/2021

"The album is indeed all over the place, with everything from anthemic punk ragers to folky ballads to brooding goth to noisy industrial and more. It combines things that you very rarely hear on the same LP, and Morgan does it with so much conviction that nothing ever feels out of place. It’s a genuinely cool, inventive approach to album-making..."

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