image
Artwork by
Stefan Thanneur

Pangaea

from Supercontinent

June 26th, 2020
11 tracks
44:52
Supercontinent
Supercontinent
Pangaea
0:00
2:08
Pangaea
Thecodontion
Plate tectonics paramount in the formation of later landmasses and habitats lifeforms adapt to chasms and earthquakes shaping the various stages of Pangaea Traversodonts thrived where others struggled spore plants replaced by gymnosperms few marine animals known to exist ammonites, brachiopods, massive reefs Lystrosaurus, Cynognathus and ferns fossils Mesosaurus found in coastal regions distribution ranging from polar to equator glacial deposits of the same age and structure drastic climate change after reconfiguration warm tropical air and water transfer halted atmospheric circumpolar currents Antarctica cools down to a frigid state deterioration of the northern section contributed to the Permian Extinction beetles and cicadas wiped away acid oceans dissolving benthic species
7:36

[Text by I, Voidhanger Records]

After releasing a demo ("Thecodontia", 2018) and an EP ("Jurassic", 2019), Italy's bass-driven black/death metal prehistoric beast THECODONTION is back with its first full length album, "Supercontinent". Thus far, the band's material has been uncompromisingly fast-paced and length-wise short, featuring their signature distorted double bass attacks and blistering bass solos. With "Supercontinent" THECODONTION move towards a more atmospheric and intricate direction, with tribalistic drumming, slower and lengthier riffing, and wailing reverb-drenched leads, all played on bass except for a baritone guitar guest solo on "Laurasia-Gondwana". Their blast-beating fury is nevertheless always present, this time around with a lot more variety in the riffing department. There are also four mostly non-metal instrumental segments in the forms of intro, interludes and outro, in which THECODONTION further expand their sonic palette, with bass ambience explorations and atmospheric rock leanings.
As the album title suggests, "Supercontinent" is a conceptual voyage through various stages of ancient Earth's continental drift phase, from the earliest known supercontinent ("Vaalbara") to the most recent one ("Pangaea"). Extensive researches with an almost scientific approach have been made for the lyrical department; and yet there is a strong pursuit for a certain vivid imagery, with poetic descriptions of ancient lifeforms populating the planet during the various geological eras, and cataclysmic events leading to the break up and collision of landmasses. The four instrumental non-metal songs feature short poems about superoceans: enormous bodies of water which surrounded these continental assemblies.

On the visual front, the concept is perfectly embodied by the phenomenal artwork of Stefan Thanneur (CHAOS ECHOES), with a colourful representation of the final supercontinental stage and climax of the record: Pangaea surrounded by the Panthalassa Ocean.
THECODONTION's "Supercontinent" is an atmospheric death metal sonic journey and another step for the ever-developing and evolving sound of this archaic entity.

12" LP edition out via Repose Records (UK)
Digipak CD edition out via I, Voidhanger Records (IT)

Credits

G.E.F. - vocals, songwriting
G.D. - bass, lyrics, arrangements

Session/guest musicians:

V.P. - drums
J.G.P. - guitar (baritone) on "Laurasia-Gondwana"
R.C. - vocals (additional) on "Pangaea"
Skaðvaldur - vocals on "Ur"


Cover art, design & layout by Stefan Thanneur


Recorded at Snakes Studio in Rome, Italy by Guglielmo Nodari.
Mixed and mastered at Necromorbus Studio in Stockholm, Sweden by Marco Salluzzo.