Artwork image
Artwork by
Merit Gentile

hurt people

from Little Brain

May 15th, 2026
11 tracks
38:39
Little Brain
Little Brain
hurt people
0:00
2:55
hurt people
Bleary
A light's gone out I dream about all the sleepless Nights beside you Thoughts like whirlpools Carry me downstream Trying to come clean Keeping secrets but I can't lie Carry on like it's alright Hurt people Hurt people Hurt people Hurt people A house on fire A shame that the grass was never Green eyes staring at the ceiling Looking right through me Make me feel ugly Remember how we used to love How you made me bleed Made me so tough Hurt people Hurt people Hurt people Hurt people Alone at home I watch the grass grow Waiting for time to swallow me In the night I keep my eyes closed And I've got you to thank for that Pull me under Draw me closer Fuck me over Pull me under Draw me closer Fuck me over I succumb to it
3:14

Across its 11 tracks, Little Brain is a thoughtful and melancholic album wrestling with finding comfort in memory, identity and intimacy. The dense guitars and soft abrasion of the band’s shoegaze sound are grounded by the unique vocal interplay between Callan Dwan and Peter Mercer, whose harmonies blur into each other rather than compete. It’s a debut shaped by years of labor, where the intimacy of its lyrics meets the weight of everything the band poured into making it.

Written and recorded slowly between 2019 and 2025, the album grew out of fragments that existed even before the release of their 2019 EP Gates (Cold Lunch Recording). Early on, Bleary’s process revolved around writing songs, playing them live, and reshaping them in front of audiences. When the pandemic halted that rhythm, the band turned inward. Songs were passed back and forth as demos. A home recording setup built by Callan Dwan and Taro Yamazaki opened new doors, letting the band chase textures and arrangements that wouldn’t have been possible in a traditional rehearsal space. What started as necessity became a creative shift that defined the record.

The first recording sessions took place during peak COVID with Joshua Ditty, tracking the earliest completed songs. As writing continued and schedules filled with touring and outside projects, the rest of the album came together with Mike Purcell at County Q. Though the songs were compositionally finished before entering the studio, Bleary treated recording as part of the writing process, layering and experimenting relentlessly. The result is a dense, immersive album, with some tracks carrying dozens of guitar layers, built through patience and obsession.

Lyrically, Little Brain touches on the struggles of finding your place. Sometimes literally about that nagging feeling of guilt, of not being enough or the melancholy of forgetting a lost loved one. The themes are universal but articulated with melancholy eloquence throughout the record; a testament to the lyrical prowess of Dwan and Mercer. It can be heart heavy but never without a comforting familiarity.

Bleary's members are all active musicians outside the band, a reality that stretched Little Brain’s timeline but also sharpened it. Years spent touring and collaborating fed back into the songs, deepening the band’s usage of space and restraint. Little Brain emerges as an accumulation: ideas written on futons, reworked in bedrooms, expanded in studios, and refined quietly for years.

Credits

Performed by Callan Dwan, Peter Mercer, Taro Yamazaki, Luke Fedorko
Composition & Lyrics by Callan Dwan, Peter Mercer

Recording on ‘sugar splint’, ‘925’, ‘bug’, and ‘whalesong’ by Joshua Ditty Everything else recorded by, mixed by and mastered by Mike Purcell

Photos and Artwork by Merit Gentile

Dedicated to Brian Dwan

©2025 All Songs Bleary
yk Records - yk-157